Harp Omnis: DPA 4060—omni-directionals These microphones are placed directly on the metal harp of the piano and positioned to capture a “high strings / low strings” perspective of the piano (along the length of the harp). Such close positioning allows an engineer to ignore the natural stereo image a listener would experience, and therefore can be more freely positioned in a stereo image by the use of panning. Since they are a bit further from the hammers, they predominantly capture the sound of the vibrating strings and soundboard. File Naming Convention: C4 = middle C
. Main note names:  [note name][octave]v[velocity].wav
 -- e.g., “D#5v13.wav”
. Release resonance notes: harm[note name][octave]v[velocity].wav
 -- e.g., “harmC2v2.wav”
. Hammer samples:
 rel[1-88].wav (one per key)
 -- e.g., “rel23.wav”
. Pedal samples:
 pedal[D/U][velocity].wav
 -- e.g., “pedalU2.wav” => pedal release (U = up), velocity = 2 (quicker release than velocity = 1)
.

This dataset is too large to download directly from this item page. You can access and download the data via Globus (See "https://www.youtube.com/watch?v=uf2c7Y1fiFs" for instructions on how to use Globus).