Lip Cardioid: DPA 4011—cardioids This pair of microphones is designed to capture the sound of the strings, hammers and harp with little contribution from the open lid, stage-floor, and room. It’s centrally located position accurately captures the stereo image of the piano if a listener was facing the open lid. The use of cardioids and the close position (at the lip of the piano) gives an impression of a bass-boost (by taking advantage of the proximity effect of cardioids). This is a familiar position used in jazz recordings. It’s a close sound and somewhat darker than a pair of mics that would be higher above the strings. File Naming Convention: C4 = middle C
. Main note names: 
[note name][octave]v[velocity].wav
 -- e.g., “D#5v13.wav”
. Release resonance notes:  harm[note name][octave]v[velocity].wav
 -- e.g., “harmC2v2.wav”
. Hammer samples:
 rel[1-88].wav (one per key)
 -- e.g., “rel23.wav”
. Pedal samples:
 pedal[D/U][velocity].wav
 -- e.g., “pedalU2.wav” => pedal release (U = up), velocity = 2 (quicker release than velocity = 1)
.

This dataset is too large to download directly from this item page. You can access and download the data via Globus (See "https://www.youtube.com/watch?v=uf2c7Y1fiFs" for instructions on how to use Globus).