Stage Lid Omni: Schoeps cmc62—omni-directionals This pair is placed centrally (audience perspective) at about six and a half feet high and is aimed parallel to the open lid of the piano (flanking, and at the same height as the Sankens listed above). They are spaced about a meter apart and capture a slightly more diffuse stereo image of the harp. Since they are omnidirectional, they also capture a bit of the room. These can be blended with the Sanken CU41s to add or subtract some bass response and/or room sound. File Naming Convention: C4 = middle C
. Main note names: [note name][octave]v[velocity].wav
 -- e.g., “D#5v13.wav”
. Release resonance notes: harm[note name][octave]v[velocity].wav
 -- e.g., “harmC2v2.wav”
. Hammer samples:
 rel[1-88].wav (one per key)
 -- e.g., “rel23.wav”
. Pedal samples:
 pedal[D/U][velocity].wav
 -- e.g., “pedalU2.wav” => pedal release (U = up), velocity = 2 (quicker release than velocity = 1)
.

This dataset is too large to download directly from this item page. You can access and download the data via Globus (See "https://www.youtube.com/watch?v=uf2c7Y1fiFs" for instructions on how to use Globus).